National Geographic Learning Language Arts Unit 4 at Home in the World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are you know a lot nearly the men who "divers" their mediums. As with other subjects, most of what we learn about art history today nevertheless centers on white men from Europe and, later, the United States. In reality, at that place are so many more artists of all genders to learn from and appreciate.

Hither, we're specifically taking a look at merely some of the women who have had lasting impacts on their fine art forms. From some of the art world's most iconic pioneers to its nigh unsung heroes, these women artists all had a hand — and, in some cases, still have a hand — in changing the globe of fine fine art and how we ascertain information technology.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. Afterward studying the work of painters like Cézanne and Monet while abroad, she returned to the The states, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman's Untitled Moving-picture show Stills (1977–80). series. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is perchance nigh well known for her series of Untitled Pic Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female film characters, amidst them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'south influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, every bit seen at the Museum of Mod Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might kickoff retrieve of Yoko Ono equally a musician and activist, merely she's as well an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art motion, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she beginning staged in Nippon; Ono sat on phase in a dainty accommodate and placed scissors in front of her, and, in an act of daring vulnerability, invited audition members to come on phase and cutting away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't exercise it, I start to choke."

Betye Saar

Betye Saar'due south Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Fine art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed equally a social worker. A printmaking constituent inverse her entire career trajectory — and, in turn, role of the trajectory of art history.

Saar was part of the Black Arts Motility in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of fine art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to discover someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo oftentimes used assuming, bright colors to create her symbol-rich works, and was regarded as ane of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's besides known for her hyper-real sculptures, polka dots, installations, and so much more than. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Outset Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Reddish With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the beginning adult female painter to gain the respect of the New York fine art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Aureate Lion for best artist in Okwui Enwezor's biennial exhibition All the World's Futures, office of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question social club, identity, and racial politics by demanding the audience to face truths near themselves. She often challenged people on the streets of New York to gauge her race, socio-economic class, and gender — all while dressed as a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship between Islam'south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, cognition, and hope. One of her more notable works, I Smell Y'all On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Ethnic Due north American culture. In 2005, she was the outset Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is ameliorate known for her installation art and sculptures — like the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dearest, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures within the early on Feminist Art movement. Equally exemplified in her iconic work The Dinner Party, her installation pieces oft examine the role of women in history and civilization — in the 1970s and before. While at California State University in Fresno, Chicago founded the starting time feminist art programme in the United States.

Augusta Fell

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Eatables

Augusta Fell was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating breathtaking sculptures, oftentimes of Black folks, Roughshod founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years afterward, she became the first Blackness American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "trunk art". (Just await up her well-nigh famous work, Interior Roll, and y'all'll see what nosotros hateful.) She used her torso to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional power relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'south the thought! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art civilisation.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Globe State of war 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — but in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Yet from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Touch on Award at the Indiecade Festival in 2020 and the Artistic Honour from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such equally racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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